Published Date 24/06/13 14:42
Finally I'm completely liberated from Windows and Mac.
For a while now, I've been running a "dual boot" Windows 7/Ubuntu machine. Open programmes on the Linux OS were able to match or better any pricey software made for Bill Gates' system. And Windows insisted on treating me like a child. I mean, how the fuck does Windows 7 have the right to disable my sound card from recording audio streams? Open source software was as good or better for everything, that is, apart from one solitary activity: video editing. My reliance on the professional features of Adobe Premiere was the final thread tying me to the dark world of monopoly-capitalist control. The open source editors were never quite up to snuff.
But then I discovered Kdenlive.
Powerful, intuitive, with a host of professional features, Kdenlive straight away passes the most fundamental of tests - import and export. Its compression of Full HD mobile phone footage was both high quality and fast. It has its idiosyncracies, but so do Premiere and Final Cut Pro, as any long-suffering user will agree. Editing with cut-aways, the basis of reportage, is integral rather than an awkward and reluctant add-on, as in iMovie and MovieMaker. A very useful feature is the ability to edit Full HD at lower resolution, then export the movie at full spec.
Never having tried it before, I had a tight deadline for a news report about the struggles in Turkey (see below).
As you can hear, I didn't have time yet to master the audio mixing, but such pro features seem to be as easy as on the closed software. And there's a great guide by Mick Fuzz for FLOSS Manuals.
So bye bye Mr Gates. Being infantilised by you and Steve Jobs hasn't been fun, and now I can enjoy my adulthood as part of a massively helpful community. Plus it's free of charge (though they really deserve a donation).
Finally a suggestion, in full "cyber-utopian" vein. Isn't the victory of open tools actually inevitable? (Think Linux, Open Office, etc). And are they not vital in the fight against the most serious threat to our freedom and our creativity, the corporate enclosure of the internet?